- #TOPANGA CANYON AIRSTREAMER PHOTO LOCATIONS FULL#
- #TOPANGA CANYON AIRSTREAMER PHOTO LOCATIONS SOFTWARE#
These headsets let the viewer immerse themselves in the content by just moving their heads to take in a vivid, wide view.
#TOPANGA CANYON AIRSTREAMER PHOTO LOCATIONS SOFTWARE#
The RF5.2mm F2.8 L Dual Fisheye lens is part of Canon’s EOS VR system and when paired with EOS R5 camera and firmware 1.5.0 or higher and one of Canon’s VR software solutions, you can shoot mind-bending 3D that can be experienced when viewed with compatible head mount displays, such as the Meta Quest 2. With the RF5.2mm F2.8 L Dual Fisheye lens, they’ve leap frogged everyone else.” When they come out with something, they do it right. “Canon may not always be the company that’s first to the game but, they’re the ones that take it to the next level. “I think the Dual Fisheye is the EOS 5D Mark II moment for VR,” he notes. There’s twice as many pixels on the screen so it’s crisper, sharper and more lifelike,” compared to 360°.Ĭelia likens the introduction of this new lens to when Canon released the groundbreaking EOS 5D Mark II in 2008, the full-frame DSLR that revolutionized HD video filmmaking.
“When we deliver a video file, the quality is so much better with 180°. What about image quality? “It’s pixels per degree,” Celia says. Where do I put my crew, where do I put my lights when I’m shooting 360°?” A lot of the things VR can be used for-experiences like virtually ‘hanging’ with celebrities or at a concert, you’re not looking behind you, you’re looking at the person you’re with.”Ĭelia points out another drawback of 360° VR for creative filmmaking: “You’re limited in where you can put things. “When you want to transport someone into a place, for example, seeing it in 360° is beautiful, because you can look around the scene.” But for cinematic storytelling, Celia observes, “Most stories aren’t helped by having to look around. “There are really good uses for 360° VR,” Celia says. In this respect, 180° VR provides an optimal balance of shared control by both the filmmaker and viewer. With 360° VR video, the viewer has control over what they view in the scene regardless of where the camera is pointed by the operator.
#TOPANGA CANYON AIRSTREAMER PHOTO LOCATIONS FULL#
In creating traditional cinematic experiences, filmmakers have full control over what the viewer sees-and doesn’t see. In the video, Celia points out the advantage that 180° VR offers filmmakers versus 360° VR content. We talked with Celia about the video and his work with the RF5.2mm F2.8 L Dual Fisheye. Width="2000" height="1125" frameborder="0" allowfullscreen="allowfullscreen"> Celia used the lens to create the educational video featured here, “An Introduction to Stereoscopic 3D 180° VR,” which demonstrates why the Canon RF5.2mm F2.8 L Dual Fisheye should be on the wish list of any aspiring VR filmmaker-as well as creatives who will find innovative uses of this technology for their clients. Canon RF5.2mm F2.8 L Dual Fisheye with the Canon EOS R5ĭirector Matthew Celia of Light Sail VR has made many immersive films with a variety of gear, but he calls the Canon RF5.2mm F2.8 L Dual Fisheye lens a “game changer” because of how easy and effective it is for 180° VR filmmaking. Complex stitching and syncing are now a thing of the past with this technology from Canon. As a result, storytellers can output a single stereoscopic video file at up to 8K resolution for a more streamlined VR workflow. The new Canon lens is the world’s first digital interchangeable dual fisheye capable of shooting stereoscopic 3D 180° VR imagery to a single full-frame image sensor. One innovative new product for VR content production is the Canon RF5.2mm F2.8 L Dual Fisheye lens, which filmmakers are using to create incredible video experiences that immerse the viewer in the scene. It may seem like VR (virtual reality) has been touted as the “next great thing” for the last decade or so, but the truth is it’s only been coming into its own recently thanks to the increasing availability of cost-effective VR production devices, better image quality and new ways that audiences can experience 3D VR content.
0 kommentar(er)
